{"id":258,"date":"2019-01-05T12:03:26","date_gmt":"2019-01-05T12:03:26","guid":{"rendered":"http:\/\/tomkrasny.art\/?p=258"},"modified":"2019-01-05T18:57:56","modified_gmt":"2019-01-05T18:57:56","slug":"blalali","status":"publish","type":"post","link":"https:\/\/harmonioussoup.art\/?p=258","title":{"rendered":"Holy Wave, Glasgow International Festival (2018)"},"content":{"rendered":"\n
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Tom Krasny, Gatekeeper 2018. <\/figcaption><\/figure>\n\n\n\n

Holy Wave was a group exhibition curated by Roi Carmeli, with work by Ayelet Ben-Dor, Jedrzej Cichosz, Uist Corrigan, Roi Carmeli, Judith Leupi, Jonny Lyons, Tom Krasny, Tim Sandys and Alex Stursberg.<\/p>\n\n\n\n\n\n\n\n

Part of Glasgow international 2018 across the city<\/em> programme:  http:\/\/glasgowinternational.org\/events\/roi-crameli-tom-krasny-jedrzej-cichosz-tim-sandys\/<\/a><\/p>\n\n\n\n

Holy Wave touched on the connection between art and ritual; a connection which is less obvious today, as art becomes increasingly self-reflective, and religious rituals abide by rules stemming from years of unchanged worship. It remains essential, however, in understanding art\u2019s role in contemporary society and spiritual life. The artists view the art object as charged with power; a combination of intention and action; of emotions and thoughts that cannot be separated from material and labour.<\/p>\n\n\n\n